The doctor

October 1st, 2011

Witch doctor (October 1, 2011)

Weekend sketching: distaff

March 13th, 2011

Lamia, after Waterhouse (Mason, March 13, 2011)Purple (Mason, March 13, 2011)

Two quick sketches I’m quite happy with. Femininity has been tricky for me to capture at times — many of my earlier drawings of women made the subjects look a little too mannish — but these turned out well, if only because I’m gradually learning the discipline not to draw too many lines. The one on the left is after a sketch by JW Waterhouse (a study for “Lamia”), and the one on the right… is not.

Big sky

March 5th, 2011

I’ve started to experiment with capturing light and times of day with my trusty Blackberry Bold: no zoom function but decent enough resolution, and it fits in my suit pocket.

West on Richmond (March 1, 2011)

Morning light, south-east (March 4, 2011)

Redhead

March 5th, 2011

Redhead (Mason, Feb 22, 2011)A late-February drawing that (along with the gecko, below) finished off a sketchbook.

Geckos and magazines

March 1st, 2011

Day Gecko (Mason, Feb 26, 2011)

When I posted this on Facebook a few minutes ago, I called the gecko “the Billy Crystal of the lizard world”. I think it’s the smile and the glitter in the eye.

By the way, if you’re curious as to where I’ve disappeared to over the last nine months, go visit SCOPE magazine: www.scope-mag.com. My latest (and most time-consuming) project, SCOPE will keep me busy for a long time, I hope — so my posting on Archipelagoes will likely be limited, by and large, to the occasional sketch or photograph, rather than to my traditional essays. Please keep dropping by here from time to time, and certainly add SCOPE to your favorites list. Looking forward to hearing from you in both venues!

Morning sketches

June 4th, 2010

A selection of sketches from my morning practice sessions. I’m trying to do a full hour of sketching every day now, trying to escape from what I felt until just recently had become an unwelcome plateau in my level of skill. I spend 15 minutes doing exercises from Andrew Loomis’s Drawing the Head and Hands, 15 minutes on his Figure Drawing for All Its Worth, and a good half-hour on a study of a drawing made by one of the masters.

My current inspiration in this regard is John Singer Sargent (check out this great database of his works at Harvard), whose drawings are full of energy and vigor yet do not lose control of themselves. They’re tremendously fun to copy, and result in satisfyingly realistic pictures. The three sketches in the top row of the gallery above are all based on Sargents.

I’m particularly keen on the two women in robes, who remind me simultaneously of medieval nuns and acolytes of the Bene Gesserit.

Now welcom somer

May 30th, 2010

Summer mosaic (Ian Mason, May 30, 2010)

A little something I worked up today with a camera and the ever-handy GIMP photo editor. I had some ambitions to push colour saturations in each picture to create a kind of gradient across the piece, but decided to stick with realistic colour instead. It was such a gorgeous Sunday — why try to improve it?

Fill ‘er up, sir?

May 18th, 2010

Frank (May 16, 2010)

The nice thing about doing figure work but not doing portraits is that when your drawing goes south on you, there’s no one to look over your shoulder and say “Um, thanks Ian, but that doesn’t really look at all like me.” Having a reference is one thing, but a live person with a sense of identity can play havoc with your artistic morale.

The above picture started out as an exercise in reproducing a compelling self-portrait done by the great fantasy illustrator Frank Frazetta, who died last week. As I worked on it, I realized the eyes were too big, the mouth too pursed, the neck too thin. But since Frank has far cooler things to do now than look over my shoulder, I’m free to reassure myself that the drawing at least looks like someone might — perhaps a Christopher Walken-esque movie villain from the mid-1960s, the kind of character who works at a country gas station, speaks quietly, and has murder on his mind.

Go on, try it. Press the button.

May 11th, 2010

In a burst of twenty-first-century technological enthusiasm, I managed this evening to install AddThis “share” buttons on Archipelagoes. “It’s about time, too,” readers of a social networking bent will say. Other readers may say simply, “You added what?”

A quick explanation then. “Share” buttons appear at the bottom of each post (including this one — look down); when you sweep your mouse over one, a menu will pop-up, allowing you to easily share the post with your friends by email or by importing a snippet of the post into a social networking service like Facebook or MySpace (assuming you have an account on one of them, of course).

It’s really pretty simple. So go ahead: pick your favorite recent post (not this post, I hope; if this post is your favorite then I’m in deep trouble) and press that Share button. Your friends will thank you.

Probably.

Why they fight

May 9th, 2010

african_elephants-8045

In Jean de Brunhoff’s 1931 children’s book, The Story of Babar, a young African elephant sees his mother shot by a hunter; he runs off, not deeper into the jungle, but (somehow) to Paris. There, he is taken in by a kindly and rich old woman, and learns the pleasures and virtues of urban civilization before eventually becoming homesick and returning to Africa, where he becomes King of the Elephants and helps his subjects adopt an improved lifestyle based largely on human ways. It is a delightful and amusingly surreal story that can be read to children as often as they like. They will learn the horrible truth soon enough.

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