February 7th, 2010

There is a kind of long-term shock that comes with the realization that the landscape around one’s own home is being altered beyond recovery. Psychologically, after all, a landscape is a permanent thing — hills and forests and paths are unchanging things to a child, and even when one moves away in adulthood they are assumed to remain protected, inviolate. Increasingly, of course, this assumption is wrong: the relentless spread of housing developments, roads, and shopping centres means that many people in the industrialized world face a high probability of losing the landscapes they remember as children. To some extent the shock lies in the simple unexpectedness of the change.
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Tags: j.r.r. tolkein, solastalgia, the lord of the rings, upper hunter valley
Posted in Art & literature, Environment | No Comments »
January 15th, 2010

My contribution to James Gurney’s latest “Art by Committee” challenge. The assignment was to illustrate the following extract from a science fiction novel manuscript:

This one was a great learning exercise from a composition point of view, driving me to rough out several possible scenes before finally choosing a close-up of Billy’s face — and even then I experimented with just how close the close-up should be. Billy, I thought, is a man trying bravely to cope with an unanticipated glacier of indifference from a formerly close female friend. And this being the near-future, he’s staring into the unforgiving lens of a laptop camera while he wages this internal struggle.
Yet another argument against videophones, in my opinion. Dating is hard enough without that.
Tags: Art by Committee, dating, james gurney
Posted in Drawings | No Comments »
December 27th, 2009

Copying from the masters being one of the most hallowed traditions in art education, this is a sketch I made from a drawing by Louis-Léopold Boilly (1761-1845), the great genre artist and portraitist of Napoleonic France. Boilly’s full work is of his family and servants, and this is one of his two sons — although the artist would probably be amused to see that my inadvertent elongation of the boy’s face (an artistic tic I’m trying to rid myself of, not yet successfully) has transformed his cute ten-year-old into a young man of about sixteen. Go here for Boilly’s original, part of an exhibition of eighteenth-century French drawings at the Morgan Library & Museum in New York City.
Tags: eighteenth-century French art, Louis-Léopold Boilly
Posted in Art & literature, Drawings | No Comments »
December 25th, 2009
The second in my apparently annual series of Yuletide mullings (last year’s “In the bleak midwinter” discussed the darker seasonal myths of medieval Germany) was triggered by a headline I spotted on my train ride home from work a week ago. “NORAD fighter pilots prepare to escort Santa”, it read; beneath it was a photo of two Canadian air force CF-18s. It’s a yearly tradition, of course — I have a vague memory of listening to “radar updates” on Santa’s progress as a kid in the 1970s — but still, something about it grated on me.
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Tags: beliefs, NORAD, Santa Claus
Posted in Myth | No Comments »
December 21st, 2009
It is not normally my practice to blog from work (see “mortgage payments”), but having discovered historian Rob MacDougall’s Old is the New New via his link to Jeet Heer’s Sans Everything post on Homer Simpson and Irish stereotypes, I was immediately entranced by both his buoyant writing style and his remarkably eclectic range of historico-cultural interests — so I felt compelled to drop what I was doing and tell you about it. Go check out his site, and for your first mind-expanding sally, read his post Angels and Octopodes.
What are you still doing here? Go!
Tags: Octopodes, Rob MacDougall
Posted in Art & literature, History | No Comments »
December 15th, 2009

"Blue Experiment", by Marguerita Bornstein (2008)
Marguerita Bornstein – an artist who has in the past been so well known that her first name sufficed to identify her to millions – is the kind of person whose need to create, and whose talent for it, causes her to work across a range of forms. Illustrator, animator, painter, sculptor, and mixed media artist, she has been lauded for drawings that have graced the covers of major magazines and for her contributions to post-modern art exhibitions. “One of the strongest and most sexual works in the show,” wrote a reviewer of 1997’s Sex/Industry (Stefan Stux Gallery, New York), “the mixed media work by Marguerita uses a metal box, an old gourd, and a coconut to create a piece more honestly sexual and arousing than most of the anatomically correct phalluses and cartoon animal jokes in the main gallery.” Alas, I can offer no pictures to match this intriguing description. Read the rest of this entry »
Tags: illustration, Marguerita Bornstein, O Rebu
Posted in Art & literature, Film & TV | No Comments »
December 12th, 2009

I produced this somewhat dark-themed picture as a submission to Dinotopia illustrator James Gurney’s “Art by Committee” challenge (which he hosts on his fascinating blog, Gurney Journey). This month, Gurney invited his readers to submit works depicting the hypothetical owner of this (actually quite real) business card:

As you’ll probably deduce from the drawing, my mind went in directions both sci-fi and seedy — triggered mainly by contemplating the male reaction to the implausibly optimistic marketing promise “A Wish Come True”. In terms of materials, I took a step back from charcoal on this one, using it mainly for the rain-esque backdrop and for a bit of skin tone and shadowing. Most of the drawing is rendered in graphite.
Tags: cinderella, james gurney
Posted in Drawings | No Comments »
November 18th, 2009

My apologies for a two-month absence from posting, but I’ve had an autumn which has been filled with distractions — some work-related, yes, but others more enjoyable than that. I had the pleasure of editing a fascinating chapter of a good friend’s upcoming book. I caught up on the first half of the first season of Mad Men. And I finally began to make steady progress on a newly-adopted hobby: drawing.
I’ll tackle the “why” in a later post. For now, glance at the scrappy little drawing above, which for all its lack of polish and professionalism nevertheless marks a breakthrough for me. Until this picture, I’d been drawing faces with pencils (good ones, mind you), and the precision of these tools had encouraged my involuntary tendency to produce fussy little pictures that lacked any shreds of the visual impact that I’d been seeking. The people I drew, however beautiful in reality, consistently ended up narrow-eyed and unattractive on paper.
Finally, I decided to experiment with the big chunks of graphite and charcoal that came with my Derwent sketching kit. I worked carefully, but with increasing pleasure. Thirty minutes later I was finished, and thrilled. This was the look I had been searching for. There’s a real joy that comes with achieving even a modest victory when you’ve had to build your skills up from nothing.
What now? Be assured that I haven’t given up one love for another — I’ll start re-engaging with this blog in upcoming weeks. But over time what I’m hoping to do is to experiment a little with working illustrations into my essays, to see where that leads, whether it improves the final product, and whether anything fun and original comes out of it. I very much look forward to hearing your feedback and suggestions as I go along.
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September 14th, 2009

Though few members of the public give much thought to ranking the prestige of different art forms, if forced to do so it is likely that watercolour painting would be granted an affectionate but decidedly second-tier status. We think of pretty landscapes formed with washed-out pigments: light browns, greens, yellows, pinks and reds that tend to pink, of Englishmen in sunhats sitting patiently in a field, enjoying a hobby for idle gentlemen. Meanwhile, in a stratum below all of this lies our childhood memories of dipping thin brushes in water, rubbing them against coins of hard paint, and applying the resultant mixture to soggy paper.
There is some truth to all of this, but it is at best a half-truth. The late eighteenth and early nineteenth centuries saw the emergence of painters who used watercolours to sublime effect: Thomas Girtin, John Constable, and J.M.W. Turner – who produced three times as many paintings based on watercolours as on oils — elevated landscape art to a position of dominance, at least for a time. Lesser known today but judged by earlier critics to have been one of the most innovative and artistic of the watercolourists was John Sell Cotman (1782-1842).
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Tags: Girtin, John Sell Cotman, Turner, watercolour painting, Wordsworth
Posted in Art & literature, History | No Comments »
September 10th, 2009
Readers of the Globe and Mail will already have seen today’s front-page-above-the-fold article on diplomat Robert Fowler’s return to Canada and his interview on national TV about his abduction last year by a splinter group of AQIM (Al Qaeda in the Islamic Maghreb — itself a splinter group of the Algerian insurgency of the 1990s), which adds some interesting first-person colour to this otherwise murky story. If you missed it the first time around, you may wish to read my August 7 post on the recent history and wider context of politics and insurgency in northwest Africa, and on the contested identity of AQIM itself.
Tags: Algeria, AQIM, Mali, Robert Fowler
Posted in Foreign Affairs, History | No Comments »