Archive for the ‘Drawings’ Category

The doctor

Saturday, October 1st, 2011

Witch doctor (October 1, 2011)

Weekend sketching: distaff

Sunday, March 13th, 2011

Lamia, after Waterhouse (Mason, March 13, 2011)Purple (Mason, March 13, 2011)

Two quick sketches I’m quite happy with. Femininity has been tricky for me to capture at times — many of my earlier drawings of women made the subjects look a little too mannish — but these turned out well, if only because I’m gradually learning the discipline not to draw too many lines. The one on the left is after a sketch by JW Waterhouse (a study for “Lamia”), and the one on the right… is not.

Redhead

Saturday, March 5th, 2011

Redhead (Mason, Feb 22, 2011)A late-February drawing that (along with the gecko, below) finished off a sketchbook.

Geckos and magazines

Tuesday, March 1st, 2011

Day Gecko (Mason, Feb 26, 2011)

When I posted this on Facebook a few minutes ago, I called the gecko “the Billy Crystal of the lizard world”. I think it’s the smile and the glitter in the eye.

By the way, if you’re curious as to where I’ve disappeared to over the last nine months, go visit SCOPE magazine: www.scope-mag.com. My latest (and most time-consuming) project, SCOPE will keep me busy for a long time, I hope — so my posting on Archipelagoes will likely be limited, by and large, to the occasional sketch or photograph, rather than to my traditional essays. Please keep dropping by here from time to time, and certainly add SCOPE to your favorites list. Looking forward to hearing from you in both venues!

Morning sketches

Friday, June 4th, 2010

A selection of sketches from my morning practice sessions. I’m trying to do a full hour of sketching every day now, trying to escape from what I felt until just recently had become an unwelcome plateau in my level of skill. I spend 15 minutes doing exercises from Andrew Loomis’s Drawing the Head and Hands, 15 minutes on his Figure Drawing for All Its Worth, and a good half-hour on a study of a drawing made by one of the masters.

My current inspiration in this regard is John Singer Sargent (check out this great database of his works at Harvard), whose drawings are full of energy and vigor yet do not lose control of themselves. They’re tremendously fun to copy, and result in satisfyingly realistic pictures. The three sketches in the top row of the gallery above are all based on Sargents.

I’m particularly keen on the two women in robes, who remind me simultaneously of medieval nuns and acolytes of the Bene Gesserit.

Now welcom somer

Sunday, May 30th, 2010

Summer mosaic (Ian Mason, May 30, 2010)

A little something I worked up today with a camera and the ever-handy GIMP photo editor. I had some ambitions to push colour saturations in each picture to create a kind of gradient across the piece, but decided to stick with realistic colour instead. It was such a gorgeous Sunday — why try to improve it?

Fill ‘er up, sir?

Tuesday, May 18th, 2010

Frank (May 16, 2010)

The nice thing about doing figure work but not doing portraits is that when your drawing goes south on you, there’s no one to look over your shoulder and say “Um, thanks Ian, but that doesn’t really look at all like me.” Having a reference is one thing, but a live person with a sense of identity can play havoc with your artistic morale.

The above picture started out as an exercise in reproducing a compelling self-portrait done by the great fantasy illustrator Frank Frazetta, who died last week. As I worked on it, I realized the eyes were too big, the mouth too pursed, the neck too thin. But since Frank has far cooler things to do now than look over my shoulder, I’m free to reassure myself that the drawing at least looks like someone might — perhaps a Christopher Walken-esque movie villain from the mid-1960s, the kind of character who works at a country gas station, speaks quietly, and has murder on his mind.

Why they fight

Sunday, May 9th, 2010

african_elephants-8045

In Jean de Brunhoff’s 1931 children’s book, The Story of Babar, a young African elephant sees his mother shot by a hunter; he runs off, not deeper into the jungle, but (somehow) to Paris. There, he is taken in by a kindly and rich old woman, and learns the pleasures and virtues of urban civilization before eventually becoming homesick and returning to Africa, where he becomes King of the Elephants and helps his subjects adopt an improved lifestyle based largely on human ways. It is a delightful and amusingly surreal story that can be read to children as often as they like. They will learn the horrible truth soon enough.

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Dancers

Tuesday, April 13th, 2010

Photographs of ballet dancers, I discovered this evening, are an excellent reference point for learning how to draw the human figure. What’s more, there’s something about sketching dancers that feels both dynamic and essential — forms built without adornment as simple vectors and curves, yet filled with energy and direction.

Unexpectedly but thrillingly, drawing has rarely felt this natural.

Illustration Friday

Monday, February 22nd, 2010

Propagate (Ian Garrick Mason)

I’m disappointed to note that my brief fling with Jim Gurney’s “Art by Committee” has come to an end, now that Jim has put the monthly challenge on an indefinite hiatus (giving him more time to focus on his fascinating ongoing tour of art techniques and great artists, I note with admiration). There are lots of fish in the sea, of course, and Illustration Friday looks like a good replacement.

Illo-Friday offers a challenge that is more open-ended than Jim’s: rather than a page of text or a business card, it offers only a word. From there, your artistic mind is free to roam — so long as you get your picture in before the following Friday. This week’s topic is “propagate”, and you can see above what I did with it. It was certainly an interesting exercise: I started by attempting to depict one meaning of the word, and found when I was part way through that I had captured two.