Archive for the ‘Drawings’ Category

Morning sketches

Friday, June 4th, 2010

A selection of sketches from my morning practice sessions. I’m trying to do a full hour of sketching every day now, trying to escape from what I felt until just recently had become an unwelcome plateau in my level of skill. I spend 15 minutes doing exercises from Andrew Loomis’s Drawing the Head and Hands, 15 minutes on his Figure Drawing for All Its Worth, and a good half-hour on a study of a drawing made by one of the masters.

My current inspiration in this regard is John Singer Sargent (check out this great database of his works at Harvard), whose drawings are full of energy and vigor yet do not lose control of themselves. They’re tremendously fun to copy, and result in satisfyingly realistic pictures. The three sketches in the top row of the gallery above are all based on Sargents.

I’m particularly keen on the two women in robes, who remind me simultaneously of medieval nuns and acolytes of the Bene Gesserit.

Now welcom somer

Sunday, May 30th, 2010

Summer mosaic (Ian Mason, May 30, 2010)

A little something I worked up today with a camera and the ever-handy GIMP photo editor. I had some ambitions to push colour saturations in each picture to create a kind of gradient across the piece, but decided to stick with realistic colour instead. It was such a gorgeous Sunday — why try to improve it?

Fill ‘er up, sir?

Tuesday, May 18th, 2010

Frank (May 16, 2010)

The nice thing about doing figure work but not doing portraits is that when your drawing goes south on you, there’s no one to look over your shoulder and say “Um, thanks Ian, but that doesn’t really look at all like me.” Having a reference is one thing, but a live person with a sense of identity can play havoc with your artistic morale.

The above picture started out as an exercise in reproducing a compelling self-portrait done by the great fantasy illustrator Frank Frazetta, who died last week. As I worked on it, I realized the eyes were too big, the mouth too pursed, the neck too thin. But since Frank has far cooler things to do now than look over my shoulder, I’m free to reassure myself that the drawing at least looks like someone might — perhaps a Christopher Walken-esque movie villain from the mid-1960s, the kind of character who works at a country gas station, speaks quietly, and has murder on his mind.

Why they fight

Sunday, May 9th, 2010

african_elephants-8045

In Jean de Brunhoff’s 1931 children’s book, The Story of Babar, a young African elephant sees his mother shot by a hunter; he runs off, not deeper into the jungle, but (somehow) to Paris. There, he is taken in by a kindly and rich old woman, and learns the pleasures and virtues of urban civilization before eventually becoming homesick and returning to Africa, where he becomes King of the Elephants and helps his subjects adopt an improved lifestyle based largely on human ways. It is a delightful and amusingly surreal story that can be read to children as often as they like. They will learn the horrible truth soon enough.

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Dancers

Tuesday, April 13th, 2010

Photographs of ballet dancers, I discovered this evening, are an excellent reference point for learning how to draw the human figure. What’s more, there’s something about sketching dancers that feels both dynamic and essential — forms built without adornment as simple vectors and curves, yet filled with energy and direction.

Unexpectedly but thrillingly, drawing has rarely felt this natural.

Illustration Friday

Monday, February 22nd, 2010

Propagate (Ian Garrick Mason)

I’m disappointed to note that my brief fling with Jim Gurney’s “Art by Committee” has come to an end, now that Jim has put the monthly challenge on an indefinite hiatus (giving him more time to focus on his fascinating ongoing tour of art techniques and great artists, I note with admiration). There are lots of fish in the sea, of course, and Illustration Friday looks like a good replacement.

Illo-Friday offers a challenge that is more open-ended than Jim’s: rather than a page of text or a business card, it offers only a word. From there, your artistic mind is free to roam — so long as you get your picture in before the following Friday. This week’s topic is “propagate”, and you can see above what I did with it. It was certainly an interesting exercise: I started by attempting to depict one meaning of the word, and found when I was part way through that I had captured two.

Things you can do with paper: 6 months in

Monday, February 15th, 2010

Concerned woman (Feb 13, 2010), by Ian Garrick Mason

I had a bit of a crisis a couple of weeks back. I’d been working diligently on this whole “learning to draw” project for five and a half months, and had steadily worked my way through ups and downs to a point where I could say that my skills had progressed from “really very bad” to “mediocre”. This was a significant source of personal pride for me, as I hadn’t been sure when I started that I would manage to reach any higher level of artistic competence at all. I was feeling pretty good, frankly.

Then I watched Matt Tyrnauer’s documentary on Valentino.

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Billy and Souci

Friday, January 15th, 2010

Billy and Souci (Ian G Mason)

My contribution to James Gurney’s latest “Art by Committee” challenge. The assignment was to illustrate the following extract from a science fiction novel manuscript:

Billy and Souci conversation

This one was a great learning exercise from a composition point of view, driving me to rough out several possible scenes before finally choosing a close-up of Billy’s face — and even then I experimented with just how close the close-up should be. Billy, I thought, is a man trying bravely to cope with an unanticipated glacier of indifference from a formerly close female friend. And this being the near-future, he’s staring into the unforgiving lens of a laptop camera while he wages this internal struggle.

Yet another argument against videophones, in my opinion. Dating is hard enough without that.

After Boilly

Sunday, December 27th, 2009

Sketch by Ian Garrick Mason, after Louis-Léopold Boilly
Copying from the masters being one of the most hallowed traditions in art education, this is a sketch I made from a drawing by Louis-Léopold Boilly (1761-1845), the great genre artist and portraitist of Napoleonic France. Boilly’s full work is of his family and servants, and this is one of his two sons — although the artist would probably be amused to see that my inadvertent elongation of the boy’s face (an artistic tic I’m trying to rid myself of, not yet successfully) has transformed his cute ten-year-old into a young man of about sixteen. Go here for Boilly’s original, part of an exhibition of eighteenth-century French drawings at the Morgan Library & Museum in New York City.

Cinderella 2147

Saturday, December 12th, 2009

Cinderella's Maid Service (Ian G Mason 500px)

I produced this somewhat dark-themed picture as a submission to Dinotopia illustrator James Gurney’s “Art by Committee” challenge (which he hosts on his fascinating blog, Gurney Journey). This month, Gurney invited his readers to submit works depicting the hypothetical owner of this (actually quite real) business card:

Cinderella business card

As you’ll probably deduce from the drawing, my mind went in directions both sci-fi and seedy — triggered mainly by contemplating the male reaction to the implausibly optimistic marketing promise “A Wish Come True”.  In terms of materials, I took a step back from charcoal on this one, using it mainly for the rain-esque backdrop and for a bit of skin tone and shadowing. Most of the drawing is rendered in graphite.