Archive for the ‘Drawings’ Category
The doctor
Saturday, October 1st, 2011Weekend sketching: distaff
Sunday, March 13th, 2011Two quick sketches I’m quite happy with. Femininity has been tricky for me to capture at times — many of my earlier drawings of women made the subjects look a little too mannish — but these turned out well, if only because I’m gradually learning the discipline not to draw too many lines. The one on the left is after a sketch by JW Waterhouse (a study for “Lamia”), and the one on the right… is not.
Redhead
Saturday, March 5th, 2011Geckos and magazines
Tuesday, March 1st, 2011When I posted this on Facebook a few minutes ago, I called the gecko “the Billy Crystal of the lizard world”. I think it’s the smile and the glitter in the eye.
By the way, if you’re curious as to where I’ve disappeared to over the last nine months, go visit SCOPE magazine: www.scope-mag.com. My latest (and most time-consuming) project, SCOPE will keep me busy for a long time, I hope — so my posting on Archipelagoes will likely be limited, by and large, to the occasional sketch or photograph, rather than to my traditional essays. Please keep dropping by here from time to time, and certainly add SCOPE to your favorites list. Looking forward to hearing from you in both venues!
Morning sketches
Friday, June 4th, 2010A selection of sketches from my morning practice sessions. I’m trying to do a full hour of sketching every day now, trying to escape from what I felt until just recently had become an unwelcome plateau in my level of skill. I spend 15 minutes doing exercises from Andrew Loomis’s Drawing the Head and Hands, 15 minutes on his Figure Drawing for All Its Worth, and a good half-hour on a study of a drawing made by one of the masters.
My current inspiration in this regard is John Singer Sargent (check out this great database of his works at Harvard), whose drawings are full of energy and vigor yet do not lose control of themselves. They’re tremendously fun to copy, and result in satisfyingly realistic pictures. The three sketches in the top row of the gallery above are all based on Sargents.
I’m particularly keen on the two women in robes, who remind me simultaneously of medieval nuns and acolytes of the Bene Gesserit.
Now welcom somer
Sunday, May 30th, 2010A little something I worked up today with a camera and the ever-handy GIMP photo editor. I had some ambitions to push colour saturations in each picture to create a kind of gradient across the piece, but decided to stick with realistic colour instead. It was such a gorgeous Sunday — why try to improve it?
Fill ‘er up, sir?
Tuesday, May 18th, 2010The nice thing about doing figure work but not doing portraits is that when your drawing goes south on you, there’s no one to look over your shoulder and say “Um, thanks Ian, but that doesn’t really look at all like me.” Having a reference is one thing, but a live person with a sense of identity can play havoc with your artistic morale.
The above picture started out as an exercise in reproducing a compelling self-portrait done by the great fantasy illustrator Frank Frazetta, who died last week. As I worked on it, I realized the eyes were too big, the mouth too pursed, the neck too thin. But since Frank has far cooler things to do now than look over my shoulder, I’m free to reassure myself that the drawing at least looks like someone might — perhaps a Christopher Walken-esque movie villain from the mid-1960s, the kind of character who works at a country gas station, speaks quietly, and has murder on his mind.
Dancers
Tuesday, April 13th, 2010Photographs of ballet dancers, I discovered this evening, are an excellent reference point for learning how to draw the human figure. What’s more, there’s something about sketching dancers that feels both dynamic and essential — forms built without adornment as simple vectors and curves, yet filled with energy and direction.
Unexpectedly but thrillingly, drawing has rarely felt this natural.
Illustration Friday
Monday, February 22nd, 2010I’m disappointed to note that my brief fling with Jim Gurney’s “Art by Committee” has come to an end, now that Jim has put the monthly challenge on an indefinite hiatus (giving him more time to focus on his fascinating ongoing tour of art techniques and great artists, I note with admiration). There are lots of fish in the sea, of course, and Illustration Friday looks like a good replacement.
Illo-Friday offers a challenge that is more open-ended than Jim’s: rather than a page of text or a business card, it offers only a word. From there, your artistic mind is free to roam — so long as you get your picture in before the following Friday. This week’s topic is “propagate”, and you can see above what I did with it. It was certainly an interesting exercise: I started by attempting to depict one meaning of the word, and found when I was part way through that I had captured two.









