Archive for the ‘Drawings’ Category

Illustration Friday

Monday, February 22nd, 2010

Propagate (Ian Garrick Mason)

I’m disappointed to note that my brief fling with Jim Gurney’s “Art by Committee” has come to an end, now that Jim has put the monthly challenge on an indefinite hiatus (giving him more time to focus on his fascinating ongoing tour of art techniques and great artists, I note with admiration). There are lots of fish in the sea, of course, and Illustration Friday looks like a good replacement.

Illo-Friday offers a challenge that is more open-ended than Jim’s: rather than a page of text or a business card, it offers only a word. From there, your artistic mind is free to roam — so long as you get your picture in before the following Friday. This week’s topic is “propagate”, and you can see above what I did with it. It was certainly an interesting exercise: I started by attempting to depict one meaning of the word, and found when I was part way through that I had captured two.

Things you can do with paper: 6 months in

Monday, February 15th, 2010

Concerned woman (Feb 13, 2010), by Ian Garrick Mason

I had a bit of a crisis a couple of weeks back. I’d been working diligently on this whole “learning to draw” project for five and a half months, and had steadily worked my way through ups and downs to a point where I could say that my skills had progressed from “really very bad” to “mediocre”. This was a significant source of personal pride for me, as I hadn’t been sure when I started that I would manage to reach any higher level of artistic competence at all. I was feeling pretty good, frankly.

Then I watched Matt Tyrnauer’s documentary on Valentino.

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Billy and Souci

Friday, January 15th, 2010

Billy and Souci (Ian G Mason)

My contribution to James Gurney’s latest “Art by Committee” challenge. The assignment was to illustrate the following extract from a science fiction novel manuscript:

Billy and Souci conversation

This one was a great learning exercise from a composition point of view, driving me to rough out several possible scenes before finally choosing a close-up of Billy’s face — and even then I experimented with just how close the close-up should be. Billy, I thought, is a man trying bravely to cope with an unanticipated glacier of indifference from a formerly close female friend. And this being the near-future, he’s staring into the unforgiving lens of a laptop camera while he wages this internal struggle.

Yet another argument against videophones, in my opinion. Dating is hard enough without that.

After Boilly

Sunday, December 27th, 2009

Sketch by Ian Garrick Mason, after Louis-Léopold Boilly
Copying from the masters being one of the most hallowed traditions in art education, this is a sketch I made from a drawing by Louis-Léopold Boilly (1761-1845), the great genre artist and portraitist of Napoleonic France. Boilly’s full work is of his family and servants, and this is one of his two sons — although the artist would probably be amused to see that my inadvertent elongation of the boy’s face (an artistic tic I’m trying to rid myself of, not yet successfully) has transformed his cute ten-year-old into a young man of about sixteen. Go here for Boilly’s original, part of an exhibition of eighteenth-century French drawings at the Morgan Library & Museum in New York City.

Cinderella 2147

Saturday, December 12th, 2009

Cinderella's Maid Service (Ian G Mason 500px)

I produced this somewhat dark-themed picture as a submission to Dinotopia illustrator James Gurney’s “Art by Committee” challenge (which he hosts on his fascinating blog, Gurney Journey). This month, Gurney invited his readers to submit works depicting the hypothetical owner of this (actually quite real) business card:

Cinderella business card

As you’ll probably deduce from the drawing, my mind went in directions both sci-fi and seedy — triggered mainly by contemplating the male reaction to the implausibly optimistic marketing promise “A Wish Come True”.  In terms of materials, I took a step back from charcoal on this one, using it mainly for the rain-esque backdrop and for a bit of skin tone and shadowing. Most of the drawing is rendered in graphite.

Other things you can do with paper

Wednesday, November 18th, 2009

Woman's head (Nov 15, 2009)

My apologies for a two-month absence from posting, but I’ve had an autumn which has been filled with distractions — some work-related, yes, but others more enjoyable than that. I had the pleasure of editing a fascinating chapter of a good friend’s upcoming book. I caught up on the first half of the first season of Mad Men. And I finally began to make steady progress on a newly-adopted hobby: drawing.

I’ll tackle the “why” in a later post. For now, glance at the scrappy little drawing above, which for all its lack of polish and professionalism nevertheless marks a breakthrough for me. Until this picture, I’d been drawing faces with pencils (good ones, mind you), and the precision of these tools had encouraged my involuntary tendency to produce fussy little pictures that lacked any shreds of the visual impact that I’d been seeking. The people I drew, however beautiful in reality, consistently ended up narrow-eyed and unattractive on paper.

Finally, I decided to experiment with the big chunks of graphite and charcoal that came with my Derwent sketching kit. I worked carefully, but with increasing pleasure. Thirty minutes later I was finished, and thrilled. This was the look I had been searching for. There’s a real joy that comes with achieving even a modest victory when you’ve had to build your skills up from nothing.

What now? Be assured that I haven’t given up one love for another — I’ll start re-engaging with this blog in upcoming weeks. But over time what I’m hoping to do is to experiment a little with working illustrations into my essays, to see where that leads, whether it improves the final product, and whether anything fun and original comes out of it. I very much look forward to hearing your feedback and suggestions as I go along.